The Sun Bulletin
No Result
View All Result
Wednesday, July 1, 2026
  • Login
  • Home
  • World
  • Politics
  • Business
  • Economy
  • Tech
  • Lifestyle
  • Entertainment
  • Trending
Advertisement
The Sun Bulletin
  • Home
  • World
  • Politics
  • Business
  • Economy
  • Tech
  • Lifestyle
  • Entertainment
  • Trending
No Result
View All Result
The Sun Bulletin
No Result
View All Result

‘A Radiant Girl’ Review: Coming of Age in Paris, 1942

by TSB Report
February 16, 2023
in Entertainment
Reading Time: 2 mins read
‘A Radiant Girl’ Review: Coming of Age in Paris, 1942
Share on FacebookShare on Twitter

With its swoony pop music and soft summertime twinkle, “A Radiant Girl” could have passed for a blissful coming-of-age romance. Irene (Rebecca Marder), a bubbly, motor-mouthed 19-year-old, seems convinced she’s in one. But this deceptively warm drama — the directorial debut of the French actress and chanteuse Sandrine Kiberlain — is as much about the darkness that creeps at the edges of Irene’s life as it is about her rose-tinted moments of self-discovery.

It’s Paris, 1942, and German officials and the French police are deporting Jews to concentration camps in increasing numbers. Things are changing quickly: Irene’s well-to-do Jewish family is forced to hand over a radio, a telephone and their bicycles. Neighbors and shopkeepers are beginning to act weird, even aggressive.

These developments are sprinkled throughout the film like a trail of bread crumbs. Though Irene’s family — her anxious father (André Marcon), a flutist brother (Anthony Bajon), and her freethinking grandmother (Françoise Widhoff) — can feel those changes, Irene barely seems to notice as she prepares for a conservatory audition, breaks hearts, and eyes her family doctor’s cute assistant.

Irene is the epitome of a theater kid — a talented one at that, and an expert fainter — but her ability to sustain an illusion seems to extend to her worldview as well. Is she tragically naïve or in denial?

Fantasy, performance and the discovery of hard truths intermingle in several coming-of-age films set in Europe during World War II, including Louis Malle’s “Au Revoir les Enfants” and Roberto Benigni’s “Life Is Beautiful.”

Clearly Kiberlain had these movies in mind, but the film’s conceptual intentions are betrayed by its mishandled idiosyncratic flourishes. In Marder’s overly affected performance, Irene comes off as a precious idiot rather than a buoyant young woman concealing hidden depths. At points, the contrast between Irene’s joy and the encroaching horrors is jarring and eerie, but “A Radiant Girl” seldom hits these notes — the rest is deflating and awkward.

A Radiant Girl
Not rated. In French, with subtitles. Running time: 1 hour 38 minutes. In theaters.

The Sun Bulletin

© 2025 The Sun Bulletin or its affiliated companies.

Navigate Site

  • About
  • Advertise
  •  Terms & Conditions
  • Privacy Policy
  • Disclaimer
  • Contact

Follow Us

No Result
View All Result
  • World
  • Economy
  • Business
  • Entertainment
  • Lifestyle
  • Tech
  • Trending

© 2025 The Sun Bulletin or its affiliated companies.

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In