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Does Watching College Football on TV Have to Be So Miserable?

by TSB Report
August 27, 2022
in Business
Reading Time: 2 mins read
Does Watching College Football on TV Have to Be So Miserable?
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One of the top ESPN-to-Fox personalities is a longtime radio host named Colin Cowherd, who once noted, in an almost admirably honest interview with Bryan Curtis of The Ringer, that “in my business, being absolutely, absurdly wrong occasionally is a wonderful thing.” He also said he constantly tells one of his friends in the industry that “there’s no money in right,” and concluded a rumination about whether he’d been wrong about the subject of that day’s show — his accusation that a particular quarterback didn’t prepare enough for games — by asking, “Who cares?”

Wrong on purpose is not necessarily a bad strategy. Opinion stories are disproportionately represented at the top of news sites’ most-shared lists, and internal Facebook memos made public in the fall of 2021 revealed that the company had been rewarding outside content that users reacted to with the “angry face” emoji with better placement in news feeds. Executives and producers further emphasize characters and story lines they believe will be especially divisive: Tim Tebow, LeBron James and whether he chokes or is better than Michael Jordan, the Dallas Cowboys in general, and so on. “I was told specifically, ‘You can’t talk enough Tebow,’” the pundit Doug Gottlieb said after leaving ESPN in 2012.

Disney knows the value of a captive, excitable audience — in addition to its sports rights, it owns the Star Wars universe, Marvel comic book characters and Pixar, among other things. Disney’s profits jumped 50 percent in 2021. The financial information firm S&P Global Market Intelligence estimates that ESPN makes more than $8 a month from each of its nearly 100 million cable subscribers; it estimates that the most lucrative cable channel that doesn’t show sporting events, Fox News, makes about $2. There are 16 scheduled commercial breaks in national college football broadcasts, which can last as long as four minutes each.

Curious as to whether this feeling of oppression by a cultural monopoly might be addressed by the kind of legal remedies more typically associated with companies that make steel beams and computer software, I spoke to a University of Michigan law professor and antitrust expert named Daniel Crane.

He was open to the idea that my lengthy complaints about commercials and hot takes were evidence of “quality degradation,” that being one of the typical consequences for consumers of a monopolistic market. (The others are rising prices, diminished innovation and reduced output. Mr. Crane, for the record, says that if he’s not at a Michigan game in person he usually listens on the radio.)

But he cautioned that simply being a monopoly doesn’t mean anything has to change. “Unless you can show that they have obtained or maintained their monopoly through anticompetitive means,” he said — and despite the allegations mentioned above, no litigant or regulator has formally done that — “it’s just kind of too bad. ”

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