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Daisy Edgar-Jones bravely walked onstage, her face a ghastly white. Under her arm, a human head.“How could you do this...

LISETTE’S LIE, by Catharina Valckx; translated by Antony ShugaarFOX TELLS A LIE, by Susanna Isern; illustrated by Leire SalaberriaCHICKADEE: CRIMINAL...

Today’s newsletter is a guest dispatch from the Culture desk of The New York Times. Marc Tracy, who regularly covers...

AMSTERDAM — There were 35 known self-portraits of Vincent van Gogh in the world. That appears to have changed this...

Jerome M. Eisenberg, a leading New York antiquities dealer who in the murky world of tomb raiders and smugglers held...

Monty Norman, who in the early 1960s reached into his back catalog, pulled out a song about a sneeze and...

In “Mrs. Harris Goes to Paris,” Lesley Manville returns to the world of high fashion in a reversal of her...

War, disease, murder, exploitation, sleaze, cynicism, callousness. Humanity isn’t exactly humane in the songs on “Hellfire,” the caustic, exhilarating third...

In “Zombies 3,” directed by Paul Hoen, an interspecies utopia faces an alien invasion. Like the franchise’s previous allegories for...

On a rainy Wednesday night in Brooklyn, after an introduction with a minimum of fanfare, Janeane Garofalo walked onstage at...